Play him the sound you're going for if you have something in mind, it's all about relaying what's in your head to him and the quickest way is with a reference track. Is it purely an EQ'ing thing, or would side-chaining help breathe space that I'm after into these mixes?ĭid you play the examples to the mixing engineer? I can see that your examples have a warm, deep sound, and also that the track he's mixed has a warm, deep sound, and that the two sounds are a very different aesthetic, because "warm, deep sound" is a vague instruction. I know David Wench has mixed Jungle and Jamie XX, and mixes completely in the box so I know that "warm sound" I'm after isn't a case of just using outboard/analog hardware.Īny mixing techniques or advice that I can use to achieve that "warmer, less harsh" sound? You can probably see what I'm going for, but to my ears, there are some "harsher" sounds, which I imagine is frequencies towards the top end?Īlso, I'm using a mixture of outboard and in the box sounds. I'd like to give some more direction to the mixing engineer for my next few releases to achieve the sound I'm after. So currently I've been producing tracks at home and then taking them to a studio to mix. It's usually guitar based music with electronic elements. So I'm guessing a well mixed low end, and some frequencies in the top end are rolled off and only used for emphasis. I'm new to production and mixing so apologies for the non-technical descriptions that will follow.Īlot of the music I'm trying to emulate (mixing wise) has a "warm, deep sound".
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